This dramatic scene was painted by Paolo Veronese during the Counter-Reformation. The Church, reeling from years of corruption and the rise of Protestantism, relied on works like these to promote the importance and validity of the sacraments. And martyrs were meant to serve as role models to Catholics. The idea was, “Hey, look what this person is willing to go through for their faith!”
I thought it would be fun to have an actual artist on the podcast! So today, I’m joined by Bruce Campbell, one of the Gallery’s longtime copyists. We discuss technique and what he discovered while copying this painting he describes as operatic.
Lucy was one tough lady. Despite being born into a noble Sicilian family in the third century, she became a Christian at a time when Christians were being persecuted mercilessly. She stood up to an abusive Roman governor and died speaking her truth to power.
SHOW NOTES
“A Long Look” theme is “Ascension” by Ron Gelinas youtu.be/jGEdNSNkZoo
Episode theme is “Adoramus te Christe” composed by Giovanni Palestrina. Performed by Słowiki Choir. Courtesy of musopen.org
https://musopen.org/music/4209-adoramus-te-christe/
St Lucy information
https://www.nga.gov/collection/art-object-page.63264.html#overview
https://www.britannica.com/biography/Saint-Lucy
de Voragine, Jacobus. The Golden Legend. Anno Press, NY 1969
Counter Reformation information
https://www.khanacademy.org/humanities/world-history/renaissance-and-reformation/protestant-reformation/v/introduction-to-the-protestant-reformation-the-counter-reformation-4-of-4
Bruce Campbell information
www.atelierbic.com
Slow Art Day http://www.slowartday.com
The post The Martyrdom and Last Communion of St. Lucy by Veronese appeared first on A Long Look.